Review: Brigands & Breadknives

Dec. 14th, 2025 07:25 pm
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Review: Brigands & Breadknives, by Travis Baldree

Series: Legends & Lattes #3
Publisher: Tor
Copyright: 2025
ISBN: 1-250-33489-6
Format: Kindle
Pages: 325

Brigands & Breadknives is a secondary-world sword-and-sorcery fantasy and a sequel to both Legends & Lattes and Bookshops & Bonedust. It takes place shortly after Legends & Lattes chronologically, but Fern, the protagonist, was introduced in the Bookshops & Bonedust prequel.

You may have noticed I didn't describe this as cozy fantasy. That is intentional.

When we left Fern at the end of Bookshops & Bonedust, the rattkin was running a bookshop in the town of Murk. As Brigands & Breadknives opens, Fern is moving, for complicated and hard-to-describe personal reasons, to Thune where Viv has her coffee shop. Her plan is to open a new bookstore next door to Legends and Lattes. This is exactly the sort of plot one might expect from this series, and the first few chapters feel like yet another version of the first two novels. Then Fern makes an impulsive and rather inexplicable (even to herself) decision and the plot goes delightfully sideways.

Brigands & Breadknives is not, as Baldree puts it in the afterword, a book about fantasy small-business ownership as the answer to all of life's woes. It is, instead, a sword and sorcery story about a possibly immortal elven bounty hunter, her utterly baffling goblin prisoner, and a rattkin bookseller who becomes their unexpected travel companion for reasons she can't explain. It's a story about a mid-life crisis in a world and with supporting characters that I can only describe as inspired by a T. Kingfisher novel.

Baldree is not Ursula Vernon, of course. This book does not contain paladins or a romance, possibly to the relief of some readers. It's slower, a bit more introspective, and doesn't have as sharp of edges or the casual eerie unsettlingness. But there is a religious order that worships a tentacled space horror for entirely unexpected reasons, pompous and oleaginous talking swords with verbose opinions about everything, a mischievously chaotic orange-haired goblin who quickly became one of my favorite fantasy characters and then kept getting better, and a whole lot of heart. You may see why Kingfisher was my first thought for a comparison point.

Unlike Baldree's previous novels, there is a lot of combat and injury. I think some people will still describe this book as cozy, and I'm not going to argue too strongly because the conflicts are a bit lighter than the sort of rape and murder one would see in a Mercedes Lackey novel. But to me this felt like sword and sorcery in a Dungeons and Dragons universe made more interesting by letting the world-building go feral and a little bit sarcastic. Most of the book is spent traveling, there are a lot of random encounters that build into a connected plot, and some scenes (particularly the defense of the forest village) felt like they could have sold to the Swords and Sorceress anthology series.

Also, this was really good! I liked both Legends & Lattes and Bookshops & Bonedust, maybe a bit more than the prevailing opinion among reviewers since the anachronisms never bothered me, but I wasn't sure whether to dive directly into this book because I was expecting more of the same. This is not more of the same. I think it's clearly better writing and world-building than either of the previous books. It helps that Fern is the protagonist; as much as I like Viv, I think Fern is a more interesting character, and I am glad she got a book of her own.

Baldree takes a big risk on the emotional arc of this book. Fern starts the story in a bad state and makes some decisions to kick off the plot that are difficult to defend. She beats herself up for those decisions for most of the book, deservedly, and parts of that emotional turmoil are difficult to read. Baldree resists the urge to smooth everything over and instead provides a rather raw sense of depression, avoidance, and social anxiety that some readers are going to have to brace themselves for.

I respect the decision to not write the easy series book people probably expected, but I'm not sure Fern's emotional arc quite worked. Baldree is hinting at something that's hard to describe logically, and I'm not sure he was able to draw a clear enough map of Fern's thought process for the reader to understand her catharsis. The "follow your passion" self-help mindset has formed a gravitational singularity in the vicinity of this book's theme, it takes some skillful piloting to avoid being sucked into its event horizon, and I don't think Baldree quite managed to escape it. He made a valiant attempt, though, and it created a far more interesting book than one about safer emotions.

I wanted more of an emotional payoff than I got, but the journey, even with the moments of guilt and anxiety, was so worth it. The world-building is funnier and more interesting than the previous books of the series, and the supporting cast is fantastic. If you bailed on the series but you like sword and sorcery and T. Kingfisher novels, consider returning. You do probably need to read Bookshops & Bonedust first, if you haven't already, since it helps to know the start of Fern's story.

Recommended, and shortcomings aside, much better than I had expected.

Content notes: Bloody sword fights, major injury, some very raw emotions about letting down friends and destroying friendships.

Rating: 8 out of 10

Interesting things - 2025 12 14

Dec. 14th, 2025 12:06 am
gentlyepigrams: (purple chucks)
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gentlyepigrams: (music - classical)
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Books
The Glassmaker, by Tracy Chevalier. Lit fic about a woman born in late Renaissance/early modern Murano and her family of glassmakers. They and their contacts magically live into the present through unexamined time skips (no other magic is involved). Interesting family and historical drama and obviously reasonably well studied but although it was good it was super light as a read.
It Doesn't Have to Hurt: Your Smart Guide to a Pain-Free Life, by Sanjay Gupta M.D. This was more interesting and potentially useful than I expected. Some of it is directed to people with different pain problems but some of it is useful for folks like me who have demonstrated physical causes for pain. I may have to buy a physical copy to mark up and perform some of the exercises.

Music
Víkingur Ólafsson, Opus 109 (Beethoven | Bach | Schubert). I'm not as familiar with the Beethoven and Schubert but I love his Bach, always.
gentlyepigrams: (*sigh*)
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We had the mold guy in last week to look at the drywall behind the dishwasher. Turns out it does have mold but it's very mild and only a very little over baseline. Still, it has to be remediated and we now have a plan and dates. The two weeks after Christmas will be mold remediation.

If things go as planned, we'll have the fridge, pantry, and stove/microwave available. We also have a sink in our wet bar but it'll be hard to wash anything of any size. I foresee a lot of plastic cutlery in my future. It also means we'll need to clean out the rest of the cupboards, though I don't think Michael has really thought about that, and a lot of decisions about what stays and what goes.

They'll have to tape off part of the breakfast area but we don't use that anyway and we'll still have access to laundry (and the cats to the Litter Robot, which is the important part). They estimate two weeks and it's going to run us about $7000 on top of the $1500 for the initial report.

Home ownership is not for the faint of heart or budget.

More Hacks / Updates of Old Games

Dec. 9th, 2025 11:58 am
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Terranigma Redux (v1.5.2) (SNES, Played on Trimui Smart Pro) - I had a combination of thoughts regarding both the original game and the hack. In things that weren’t changed; there are a lot of obtuse things you need to do and the signposting isn’t that good. And it's way too easy to miss stupid event flag snags in the late third chapter while trying to upgrade the cities—without a walkthrough, you might just conclude you’d locked yourself out of sidequests or that they don’t exist. (That said, there isn’t a lot of value to doing them—you unlock a couple of equipment upgrades that there’s no point to using because the HeroPike you get automatically is better; and a couple of MagiRocks when magic is only useful at one point you’ve already passed.) Regarding the hack, the difficulty is definitely different from the original, forcing you to use different elemental weapons and still requiring some grinding. The translation is a little smoother and I’m pretty sure they added a few more signpost dialogue bits. And the items/weapon descriptions are an excellent addition given the elemental and special effects. I used the optional patch where the CrySpear and ElleCape you get at the beginning are upgraded to +99 weapon and armor effects; and these are helpful, but not overpowering-- levels still matter a lot. And they didn't fix Bloody Mary (she still took minimal damage from all of my weapons at the point I reached her), which really feels like an oversight. Overall, I think the increase in difficulty versus the original isn’t worth the gimmicks.

Final Fantasy Adventure DX (GBC, Played on Trimui Smart Pro) – A hack that colorizes the game up to Game Boy Color standards and nothing else. There are a few cases where I felt like they could have gone a little harder—I feel like there are places where the colors could have been more vibrant or where caves could have been more varied to make them feel less same-ish. But they did successfully make the Dragon green and the Red Dragon red, which means a lot of other things can be forgiven. And they did successfully make it pretty and not garish.

Final Fantasy Legend 3 DX (GBC, Played on Trimui Smart Pro) – I’m apparently impatient with the grinding in the early game; I actually turned my mutants into a cyborg and a beast but expected better from them. As I note every time I talk about this game, it gets a lot easier once you have access to instant death/stone attacks. In this hack there were a number of graphical glitches, random colored boxes, and weird transparencies that were less noticeable in the original. Maybe it’s a little too "classy" with the muted colors? There were also issues with some houses being glitches in the first Pureland town and the credits were messed up. Large bosses were two or three color palettes neatly split and it was weird; but Xagor was multicolored and that actually worked.

Final Fantasy Legend DX (GBC, Played on Trimui Smart Pro) – The monsters that get left white actually look weird, like a stark contrast to the rest of the colors. The castles in the first world have the same problem—they entire sprite is white, including the ground around the castle, so it sticks out oddly. I only played the first two worlds of this; for this experience you’re better off playing the fan-translated Wonderswan version of the game, which manages to be prettier and fixes a lot of bugs.

I fiddled with a few more of the Game Boy colorization / DX hacks; the one for Metroid 2 was solid and the ones for Super Mario Land and Super Mario Land 2 are actually really vibrant and pretty, especially since they change some sprites to take advantage of having colors to work with.

Daiva Story 6: Imperial of Nirsartia (NES, Played on Switch) - A Japan-only blend of genres where you search for various planets, then conquer them in side-scroller shmup mode; but enemy fleets try to retake them and you need to fight them off in turn-based tactical space battles. There are also some sort of resources you get from conquering planets that let you build more ships at your home world. We beat the game on level 1 in a couple of hours; apparently if you play on level 4 you can find the hidden planets and get the secret best ending. The difficulty is reasonable at level 1, but I don’t feel a strong need to replay it.

Tetris Blast (Game Boy, Played on Trimui Smart Pro) - I’ve actually been playing this on-and-off on several of my handhelds, because it successfully captures the casual nature of Tetris. What I discovered recently was that it also has an ending: If if you finish Level 25, you get a credits roll! Which also means there’s a theoretical “perfect game”, because each level starts with 100 points and decreases by one for each piece you use, but increases slightly if you create a big bomb or clear 3+ rows. The closer you get to 2500 when you finish, the better your run.

Interesting things - 2025 12 07

Dec. 7th, 2025 08:42 pm
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[personal profile] gentlyepigrams

Sending out a NES OS

Dec. 7th, 2025 04:51 pm
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[personal profile] bnewman posting in [community profile] bn_songbook
Opinions within the gamer community differ widely regarding the ethics of emulation — copying old games onto modern computers where they can be played by using software tools to mimic the behavior of older console hardware. Most video game publishers are strongly opposed of course, and fans agree that the people who make our games should be able to profit from them. But, because of their dependence on aging hardware, games are one of the least-well-preserved of all media types. Allowing pieces of our culture to vanish forever because their "owners" didn't find it profitable to preserve them, for generation after generation, doesn't "promote the progress of science and the useful arts".

And then of course there's this terrible pun.

lyrics by Benjamin Newman
ttto: "Message in a Bottle" by The Police
Read more... )

Lion Eyes

Dec. 7th, 2025 04:30 pm
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[personal profile] bnewman posting in [community profile] bn_songbook
The Eagles' original has been crying out for this pun for a long time, and I'm certainly not the first to think of it or mention it, but I may be the first to expand it into a complete story-song. This is a shapeshifting huntress's tale in the vein of "Velvet" or "Golden Eyes".

lyrics by Benjamin Newman
ttto: "Lyin' Eyes" by Don Henley and Glenn Frey
 

Let The Spores Rain Down

Dec. 7th, 2025 04:20 pm
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[personal profile] bnewman posting in [community profile] bn_songbook
This one began with just the pun(ch) line, but when I realized what piece of media it could be about, it grew (ahem) into something deeper. Miyazaki's Nausicaa, like Frozen's Elsa, is a bold heroine who discovers a dangerous secret, an inner connection to an unstoppable natural force, and her own sense of purpose on the edge of the wilderness.

lyrics by Benjamin Newman
ttto: "Let It Go" from Disney's Frozen by Robert Lopez and Kristen Anderson-Lopez
 
 
Read more... )

Justin and Nick

Dec. 7th, 2025 04:07 pm
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[personal profile] bnewman posting in [community profile] bn_songbook
If you're at all familiar with action adventures or comic books, you've surely heard Justin's name before, but did you know he has a twin brother? This concept was a long time in preparation, and finally took shape in something of a Les Barker x Tom Smith form.

by Benjamin Newman
Read more... )

Goldenrod, Mugwort, and Bittersweet

Dec. 7th, 2025 03:47 pm
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[personal profile] bnewman posting in [community profile] bn_songbook
Hekate is a mysterious and complex goddess, associated with magic and witchcraft, liminal spaces, and threes — such as places where three roads meet; or the upper, middle, and lower worlds. I know Her primarily through Her supporting role in the story of Persephone, about Whom more is written elsewhere. Speaking with Hekate around the time of Sukkot, a Jewish (not Hellenic!) holiday which involves the gathering and waving of a bundle of symbolic plants, She suggested to me this trio of weeds, all of which grow wild in my neighborhood. Poisonous nightshades have long been Hers (and bittersweet nightshade is poisonous), and mugwort and goldenrod are associated with the dream realm and abundance respectively.

lyrics and music by Benjamin Newman
Read more... )

Chochmah Kavanah

Dec. 7th, 2025 03:36 pm
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[personal profile] bnewman posting in [community profile] bn_songbook
In Hebrew, "chochmah" means "wisdom", and "kavanah" means "intention", often particularly referring to a statement of intention or mystical formula recited before the main part of a prayer or ritual to set an appropriate tone — so a "chochmah kavanah" would be a mystical formula to invoke wisdom.  Of course it also sounds like a certain classic lounge song...

lyrics by Benjamin Newman
ttto: "Copacabana" by Barry Manilow
 
 
Read more... )

Chat, J’ai Pété

Dec. 7th, 2025 03:29 pm
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[personal profile] bnewman posting in [community profile] bn_songbook
According to a meme that has been going around, the name of OpenAI's flagship product sounds especially funny if you know French.

lyrics and music by Benjamin Newman
 
 
Read more... )

As We Go Martian

Dec. 7th, 2025 03:07 pm
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[personal profile] bnewman posting in [community profile] bn_songbook
Having disposed of certain people's ambitions of Mars colonization, let's plant the seeds of a more egalitarian vision for our future on the red planet — a future we can build together if only we keep marching Martian.

lyrics by Benjamin Newman
ttto: "Bread and Roses" by James Oppenheim, set to music by Mimi Farina
Read more... )

Amino Volcano

Dec. 7th, 2025 02:46 pm
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[personal profile] bnewman posting in [community profile] bn_songbook
Avinu Malkeinu (Our Father, Our King) is a solemn hymn chanted on the holiest days of the Jewish year, reminding us of the G-d before whom we stand. Modern progressive Jews vary in their relationship to those particular metaphors. This new, um, translation, reveals a surprisingly modern and scientific view of the Source of Life in the coming together of simple organic molecules under geothermal heat.

lyrics by Benjamin Newman
ttto: "Avinu Malkeinu", trad. Hebrew
Amino volcano
Molecular tango
Amino volcano, molecular tango
That gave rise to all living beings
 
They say the dawn-soup
Thickened when heated
They say the dawn-soup thickened when heated
And out of that soup we all grew
 

Museums: Kimbell and Amon Carter

Dec. 5th, 2025 11:44 pm
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Today we took a museum day in Fort Worth and visited the Kimbell and the Amon Carter.

At the Kimbell, we saw the Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection exhibit. The works were Roman statues from the collection of a noble/royal Italian family. The interesting part to me was how many of them had been altered, mostly but not all in "modern" times, to make art that was interesting to collectors in the period that it was altered. (Modern in this case meant the Renaissance and later. One of the sculptures was altered in the workshop of Bernini's father.) My favorites were in the section of the exhibit on portraits of the Imperial family, where I learned that a lot of the statues believed to be of Imperial women were identified on the basis of their hairstyle alone, and now a number of them have been reconsidered. The curation was extremely good, with most of the statues having labels showing which parts were original, which parts were ancient sculpture pieces repurposed as part of the new statue, and which parts were later additions. Also, one of the statutes was left semi-restored so visitors could also see the conditions of the various sections of the works and how they were "restored" in the past.

We also saw Caravaggio's Judith Beheading Holofernes, which was on loan. I like most of the art but I don't care for his depiction of Judith. Spouse and I had a discussion about her wrist positioning: she looks like she's sawing Holofernes' head off but without sufficient force, never mind enough force to lop his actual head off. I prefer Artemisia Gentileschi's Judith, who looks like she's actually killing the guy.

Before we left we also visited our favorites, the Lee brothers and Caravaggio's Card Sharp.

After we were finished at the Kimbell, we went over to the Amon Carter for American Modernism from the Charles Butt Collection. Butt, for those who don't know, is from the family that owns the HEB grocery stores. The art choices were interesting, like the Pollock landscape, but the curation of the exhibit didn't do a lot for me. Instead of contextualizing the individual pieces in artistic traditions or explaining why Butt chose them, the Carter's curation team had reactions from local artists, which were honestly a little banal for my taste. If it drives other folks to the museum, though, I guess it works. I enjoyed the seascapes and the landscapes, but the flat industrial paintings that Butt seemed to like did nothing for me. Probably my favorite from this exhibit was a study for a larger painting set at Broadway and 47th in New York, with a lot of bright signs.

We did look at some other art including a flat industrial painting of oil derricks off Galveston, which I really enjoyed because I knew what I was looking at, and a favorite Childe Hassam which shows flags on the Waldorf Hotel.

We had more than filled our two hours of museum time, which is how long they say you can absorb new art, so we went home after the Amon Carter instead of staying for late hours at the Modern.
gentlyepigrams: (gaming - amber wrongbadfun)
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ACNW session 1

Lee as GM

Jill as Laila (second youngest child of Akkiz)
Michael as Rayan (eldest child of Akkiz)
John W as Ordille (youngest child of Clarissa)
Thaddeus as Tridath (eldest son of Clarissa)
me as Rhiannon (third child of Nurhu)

Notes under the cut. )
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Books
Some Danger Involved, by Will Thomas. First in a series of Victorian noir detective novels. The plot is interesting but the writing is both historically accurate in some very unpleasant ways and reeks of testosterone. I'm not sure whether I'll read the next one.

While it doesn't count for formal reporting, I did read about 1.5 million words of Star Wars AU fanfic while I was sick this weekend. Also I have 3 or 4 books in progress. I need to commit to one and finish it!

Gig list - December 2025

Dec. 2nd, 2025 10:51 pm
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[personal profile] gentlyepigrams
I haven't been very regular about doing these posts this year, but I've made up my mind for 2026 that I'm going to be more regular. We went to Ambercon Northwest in November and otherwise were super busy but did no shows, including David Byrne, which I have regrets about. But it was cold and I was in a lot of pain and exhausted, so I missed it.

List under the cut to protect your flist. )
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