https://www.eyrie.org/~eagle/reviews/books/1-250-83502-X.html

Review: The Incandescent, by Emily Tesh

The Incandescent is a stand-alone magical boarding school fantasy.

Your students forgot you. It was natural for them to forget you. You were a brief cameo in their lives, a walk-on character from the prologue. For every sentimental my teacher changed my life story you heard, there were dozens of my teacher made me moderately bored a few times a week and then I got through the year and moved on with my life and never thought about them again.

They forgot you. But you did not forget them.

Doctor Saffy Walden is Director of Magic at Chetwood, an elite boarding school for prospective British magicians. She has a collection of impressive degrees in academic magic, a specialization in demonic invocation, and a history of vague but lucrative government job offers that go with that specialty. She turned them down to be a teacher, and although she's now in a mostly administrative position, she's a good teacher, with the usual crop of promising, lazy, irritating, and nervous students.

As the story opens, Walden's primary problem is Nikki Conway. Or, rather, Walden's primary problem is protecting Nikki Conway from the Marshals, and the infuriating Laura Kenning in particular.

When Nikki was seven, she summoned a demon who killed her entire family and left her a ward of the school. To Laura Kenning, that makes her a risk who should ideally be kept far away from invocation. To Walden, that makes Nikki a prodigious natural talent who is developing into a brilliant student and who needs careful, professional training before she's tempted into trying to learn on her own.

Most novels with this setup would become Nikki's story. This one does not. The Incandescent is Walden's story.

There have been a lot of young-adult magical boarding school novels since Harry Potter became a mass phenomenon, but most of them focus on the students and the inevitable coming-of-age story. This is a story about the teachers: the paperwork, the faculty meetings, the funding challenges, the students who repeat in endless variations, and the frustrations and joys of attempting to grab the interest of a young mind. It's also about the temptation of higher-paying, higher-status, and less ethical work, which however firmly dismissed still nibbles around the edges.

Even if you didn't know Emily Tesh is herself a teacher, you would guess that before you get far into this novel. There is a vividness and a depth of characterization that comes from being deeply immersed in the nuance and tedium of the life that your characters are living. Walden's exasperated fondness for her students was the emotional backbone of this book for me. She likes teenagers without idealizing the process of being a teenager, which I think is harder to pull off in a novel than it sounds.

It was hard to quantify the difference between a merely very intelligent student and a brilliant one. It didn't show up in a list of exam results. Sometimes, in fact, brilliance could be a disadvantage — when all you needed to do was neatly jump the hoop of an examiner's grading rubric without ever asking why. It was the teachers who knew, the teachers who could feel the difference. A few times in your career, you would have the privilege of teaching someone truly remarkable; someone who was hard work to teach because they made you work harder, who asked you questions that had never occurred to you before, who stretched you to the very edge of your own abilities. If you were lucky — as Walden, this time, had been lucky — your remarkable student's chief interest was in your discipline: and then you could have the extraordinary, humbling experience of teaching a child whom you knew would one day totally surpass you.

I also loved the world-building, and I say this as someone who is generally not a fan of demons. The demons themselves are a bit of a disappointment and mostly hew to one of the stock demon conventions, but the rest of the magic system is deep enough to have practitioners who approach it from different angles and meaty enough to have some satisfying layered complexity. This is magic, not magical science, so don't expect a fully fleshed-out set of laws, but the magical system felt substantial and satisfying to me.

Tesh's first novel, Some Desperate Glory, was by far my favorite science fiction novel of 2023. This is a much different book, which says good things about Tesh's range and the potential of her work yet to come: adult rather than YA, fantasy rather than science fiction, restrained and subtle in places where Some Desperate Glory was forceful and pointed. One thing the books do have in common, though, is some structure, particularly the false climax near the midpoint of the book. I like the feeling of uncertainty and possibility that gives both books, but in the case of The Incandescent, I was not quite in the mood for the second half of the story.

My problem with this book is more of a reader preference than an objective critique: I was in the mood for a story about a confident, capable protagonist who was being underestimated, and Tesh was writing a novel with a more complicated and fraught emotional arc. (I'm being intentionally vague to avoid spoilers.) There's nothing wrong with the story that Tesh wanted to tell, and I admire the skill with which she did it, but I got a tight feeling in my stomach when I realized where she was going. There is a satisfying ending, and I'm still very happy I read this book, but be warned that this might not be the novel to read if you're in the mood for a purer competence porn experience.

Recommended, and I am once again eagerly awaiting the next thing Emily Tesh writes (and reminding myself to go back and read her novellas).

Content warnings: Grievous physical harm, mind control, and some body horror.

Rating: 8 out of 10

https://www.eyrie.org/~eagle/reviews/books/1-250-83502-X.html

https://www.eyrie.org/~eagle/reviews/books/1-998257-04-5.html

Review: Echoes of the Imperium, by Nicholas & Olivia Atwater

Echoes of the Imperium is a steampunk fantasy adventure novel, the first of a projected series. There is another novella in the series, A Matter of Execution, that takes place chronologically before this novel, but which I am told that you should read afterwards. (I have not yet read it.) If Olivia Atwater's name sounds familiar, it's probably for the romantic fantasy Half a Soul. Nicholas Atwater is her husband.

William Blair, a goblin, was a child sailor on the airship HMS Caliban during the final battle that ended the Imperium, and an eyewitness to the destruction of the capital. Like every imperial solider, that loss made him an Oathbreaker; the fae Oath that he swore to defend the Imperium did not care that nothing a twelve-year-old boy could have done would have changed the result of the battle. He failed to kill himself with most of the rest of the crew, and thus was taken captive by the Coalition.

Twenty years later, William Blair is the goblin captain of the airship Iron Rose. It's an independent transport ship that takes various somewhat-dodgy contracts and has to avoid or fight through pirates. The crew comes from both sides of the war and has built their own working truce. Blair himself is a somewhat manic but earnest captain who doesn't entirely believe he deserves that role, one who tends more towards wildly risky plans and improvisation than considered and sober decisions. The rest of the crew are the sort of wild mix of larger-than-life personality quirks that populate swashbuckling adventure books but leave me dubious that stuffing that many high-maintenance people into one ship would go as well as it does.

I did appreciate the gunnery knitting circle, though.

Echoes of the Imperium is told in the first person from Blair's perspective in two timelines. One follows Blair in the immediate aftermath of the war, tracing his path to becoming an airship captain and meeting some of the people who will later be part of his crew. The other is the current timeline, in which Blair gets deeper and deeper into danger by accepting a risky contract with unexpected complications.

Neither of these timelines are in any great hurry to arrive at some destination, and that's the largest problem with this book. Echoes of the Imperium is long, sprawling, and unwilling to get anywhere near any sort of a point until the reader is deeply familiar with the horrific aftermath of the war, the mountains guilt and trauma many of the characters carry around, and Blair's impostor syndrome and feelings of inadequacy. For the first half of this book, I was so bored. I almost bailed out; only a few flashes of interesting character interactions and hints of world-building helped me drag myself through all of the tedious setup.

What saves this book is that the world-building is a delight. Once the characters finally started engaging with it in earnest, I could not put it down. Present-time Blair is no longer an Oathbreaker because he was forgiven by a fairy; this will become important later. The sites of great battles are haunted by ghostly echoes of the last moments of the lives of those who died (hence the title); this will become very important later. Blair has a policy of asking no questions about people's pasts if they're willing to commit to working with the rest of the crew; this, also, will become important later. All of these tidbits the authors drop into the story and then ignore for hundreds of pages do have a payoff if you're willing to wait for it.

As the reader (too) slowly discovers, the Atwaters' world is set in a war of containment by light fae against dark fae. Instead of being inscrutable and separate, the fae use humans and human empires as tools in that war. The fallen Imperium was a bastion of fae defense, and the war that led to the fall of that Imperium was triggered by the price its citizens paid for that defense, one that the fae could not possibly care less about. The creatures may be out of epic fantasy and the technology from the imagined future of Victorian steampunk, but the politics are that of the Cold War and containment strategies. This book has a lot to say about colonialism and empire, but it says those things subtly and from a fantasy slant, in a world with magical Oaths and direct contact with powers that are both far beyond the capabilities of the main characters and woefully deficient in in humanity and empathy. It has a bit of the feel of Greek mythology if the gods believed in an icy realpolitik rather than embodying the excesses of human emotion.

The second half of this book was fantastic. The found-family vibe among a crew of high-maintenance misfits that completely failed to cohere for me in the first half of the book, while Blair was wallowing in his feelings and none of the events seemed to matter, came together brilliantly as soon as the crew had a real problem and some meaty world-building and plot to sink their teeth into. There is a delightfully competent teenager, some satisfying competence porn that Blair finally stops undermining, and a sharp political conflict that felt emotionally satisfying, if perhaps not that intellectually profound. In short, it turns into the fun, adventurous romp of larger-than-life characters that the setting promises. Even the somewhat predictable mid-book reveal worked for me, in part because the emotions of the characters around that reveal sold its impact.

If you're going to write a book with a bad half and a good half, it's always better to put the good half second. I came away with very positive feelings about Echoes of the Imperium and a tentative willingness to watch for the sequel. (It reaches a fairly satisfying conclusion, but there are a lot of unresolved plot hooks.) I'm a bit hesitant to recommend it, though, because the first half was not very fun. I want to say that about 75% of the first half of the book could have been cut and the book would have been stronger for it. I'm not completely sure I'm right, since the Atwaters were laying the groundwork for a lot of payoff, but I wish that groundwork hadn't been as much of a slog.

Tentatively recommended, particularly if you're in the mood for steampunk fae mythology, but know that this book requires some investment.

Technically, A Matter of Execution comes first, but I plan to read it as a sequel.

Rating: 8 out of 10

https://www.eyrie.org/~eagle/reviews/books/1-998257-04-5.html